{"id":602,"date":"2025-06-09T17:51:32","date_gmt":"2025-06-09T15:51:32","guid":{"rendered":"https:\/\/ouilleallegre.fr\/?page_id=602"},"modified":"2025-10-29T15:29:53","modified_gmt":"2025-10-29T14:29:53","slug":"programmation-2025","status":"publish","type":"page","link":"https:\/\/ouilleallegre.fr\/index.php\/programmation-2025\/","title":{"rendered":"Programmation 2025"},"content":{"rendered":"\n
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Mardi 29 juillet 2025 – 19h45 – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mardi 29 juillet 2025 – 20h30 – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Ensemble Scherzino<\/a><\/p>\n\n\n\n

Connu pour les concerts qu’il a donn\u00e9s \u00e0 Bessans et Bonneval de 2002 \u00e0 2008, l’ensemble SCHERZINO accueille deux jeunes instrumentistes. Il jouera les transcriptions r\u00e9alis\u00e9es pour cet ensemble atypique, Mozart, Dvo\u0159\u00e1k, Debussy sont au rendez-vous.<\/p>\n\n\n\n

Gioacchino ROSSINI<\/strong>
Ouverture de la Pie Voleuse<\/em><\/p>\n\n\n\n

Wolfgang Amadeus MOZART<\/strong>
Divertimento en fa majeur KV 138<\/em><\/p>\n\n\n\n

Manuel DE FALLA<\/strong>
Extraits de l\u2019Amour sorcier <\/em>: 
Le cercle magique,  Minuit : les sortil\u00e8ges, La danse du feu<\/p>\n\n\n\n

Claude DEBUSSY<\/strong>
Petite suite<\/em><\/p>\n\n\n\n

Anton\u00edn DVO\u0158\u00c1K<\/strong>
Deux Danses Slaves op. 46 n\u00b0 2 et n\u00b07 <\/em><\/p>\n<\/div>\n\n\n\n

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Tarifs<\/span>
Plein tarif : 18 \u20ac
Tarif r\u00e9duit (Etudiants, ch\u00f4meurs, adh\u00e9rents) : 14 \u20ac
Enfant (-12 ans) : gratuit<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Jeudi 31 juillet 2025 – 19h45 – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Jeudi 31 juillet 2025 – 20h30 – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Trio \u00e0 cordes<\/a><\/p>\n\n\n\n

Emeline Conc\u00e9, violon
Louise Desjardins, alto
Aur\u00e9lie Allexandre d\u2019Albronn, violoncelle<\/p>\n\n\n\n

Trois musiciennes, membres de grandes formations parisiennes, proposent une soir\u00e9e austro-hongroise en trio \u00e0 cordes ; retrouvez la musique de Schubert ou de Beethoven, d\u00e9couvrez le folklore hongrois \u00e0 travers celle de Kodaly ou \u2026 L\u00e1szl\u00f3 Lajtha !<\/p>\n\n\n\n

Franz SCHUBERT<\/strong>
Trio D.471 en si b\u00e9mol majeur<\/em><\/p>\n\n\n\n

Ludwig van BEETHOVEN<\/strong>
Trio \u00e0 cordes opus 9 n\u00b03 en ut mineur<\/em><\/p>\n\n\n\n

Jean FRANCAIX<\/strong>
Trio pour violon, alto et violoncelle<\/em><\/p>\n\n\n\n

Zolt\u00e1n KOD\u00c1LY<\/strong>
Intermezzo<\/em><\/p>\n\n\n\n

L\u00e1szl\u00f3 LAJTHA<\/strong>
Soirs transylvaniens \u2013 Quatre esquisses pour trio \u00e0 cordes opus 41
\u00ab Soir de printemps \u00bb ou lune de cr\u00e9puscule et les pr\u00e9s alpestres<\/em><\/p>\n<\/div>\n\n\n\n

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\u00a9Letizia Le Fur-\u00a9De-Bendelac-\u00a9AnneBied<\/p>\n\n\n\n

Tarifs<\/span>
Plein tarif : 18 \u20ac
Tarif r\u00e9duit (Etudiants, ch\u00f4meurs, adh\u00e9rents) : 14 \u20ac
Enfant (-12 ans) : gratuit<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Dimanche 3 ao\u00fbt 2025 – 17h – Concert Exceptionnel \u00e0 la Chapelle <\/strong>Saint-Pierre d’Av\u00e9role<\/strong><\/p>\n\n\n\n

Ensemble La Pi\u00e9montoise<\/a><\/p>\n\n\n\n

\u00ab En ce temps-l\u00e0, \u00e0 la cour de Louis XIV \u00bb<\/p>\n\n\n\n

Claudine Desjardins-Cloutour, traverso
Anna Cavalli, clavecin
Dominique Desjardins, viole de gambe<\/p>\n\n\n\n

L\u2019Ensemble baroque La Pi\u00e9montoise, traverso, viole et clavecin, propose un aper\u00e7u de la musique qui \u00e9tait jou\u00e9e \u00e0 la cour de Louis XIV, Elisabeth Jacquet de la Guerre, De La Barre, Hotteterre.<\/p>\n\n\n\n

Michel PIGNOLET DE MONT\u00c9CLAIR<\/strong>
IV\u00e8me <\/sup>concert pour la fl\u00fbte traversi\u00e8re avec la basse chiffr\u00e9e<\/em><\/p>\n\n\n\n

Nicolas HOTMAN (Hauttement)<\/strong>
Suite pour viole de gambe seule<\/em><\/p>\n\n\n\n

Michel DE LA BARRE<\/strong>
Premier livre de pi\u00e8ces pour la fl\u00fbte traversi\u00e8re avec la basse continue, Suite III\u00e8me<\/sup><\/em><\/p>\n\n\n\n

Michel CORRETTE<\/strong>
4\u00e8me<\/sup> Sonatille, solo pour la fl\u00fbte traversi\u00e8re ou violon avec la basse. \u0152uvre XIX<\/em><\/p>\n\n\n\n

Elisabeth JACQUET DE LA GUERRE<\/strong>
Pr\u00e9lude et chaconne pour clavecin seul<\/em><\/p>\n\n\n\n

Jacques Martin HOTTETERRE<\/strong>
Premier livre de pi\u00e8ces pour la fl\u00fbte traversi\u00e8re avec la basse, \u0153uvre Ve<\/sup>, 1715; Premi\u00e8re Suitte<\/em><\/p>\n<\/div>\n\n\n\n

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\u00a9 Bardig<\/p>\n\n\n\n

Tarifs<\/span>
Plein tarif : 18 \u20ac
Tarif r\u00e9duit (Etudiants, ch\u00f4meurs, adh\u00e9rents) : 14 \u20ac
Enfant (-12 ans) : gratuit<\/p>\n\n\n\n

Deux possibilit\u00e9s de navette<\/span><\/strong>
(Tarif AR : 4\u20ac, aller simple 2\u20ac50)<\/strong><\/p>\n\n\n\n

– Sans r\u00e9servation<\/em> : navette n\u00b03 affr\u00e9t\u00e9e par la CCHMV. (15h50 d\u00e9part de Bonneval – 16h00 Bessans – 16h20 Vincendi\u00e8res – 16h30 Hameau d’Av\u00e9role). Pour le retour \u00e0 l\u2019issue du concert le d\u00e9part d\u2019Av\u00e9role sera d\u00e9cal\u00e9 \u00e0 18h15. Paiement directement aupr\u00e8s du chauffeur en esp\u00e8ces.<\/p>\n\n\n\n

– Sur r\u00e9servation<\/em> : navette de la Bessannaise.
16h Parking de La Bessannaise – 16h15 parking de Vincendi\u00e8res – 16h30 Av\u00e9role.
Retour vers le parking de Vincendi\u00e8res et le parking de La Bessannaise \u00e0 l\u2019issue du concert (entre 18h15 et 18h30). 
R\u00e9servation et achat du ticket sur la billetterie<\/a>.<\/p>\n\n\n\n

V\u00e9hicules priv\u00e9s<\/strong><\/span><\/p>\n\n\n\n

Par autorisation exceptionnelle de la mairie de Bessans, en d\u00e9rogation de l\u2019arr\u00eat\u00e9 municipal en vigueur,  les v\u00e9hicules priv\u00e9s pourront monter \u00e0 partir de 16h00 et redescendre suite au concert. Merci de privil\u00e9gier le covoiturage pour limiter le nombre de v\u00e9hicules ! <\/p>\n\n\n\n

Mont\u00e9e et descente \u00e0 pied<\/span><\/strong> sont recommand\u00e9es. Compter entre 35 et 60 minutes en fonction du pas. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mardi 5 ao\u00fbt 2025 – 19h45 – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mardi 5 ao\u00fbt 2025 – 20h30 – Eglise de Bonneval-sur-Arc<\/strong><\/strong><\/p>\n\n\n\n

Ensemble Arlequin<\/a><\/p>\n\n\n\n

\u00ab\u00a0Du Baroque au Classicisme\u00a0\u00bb<\/p>\n\n\n\n

Gilone Gaubert, violon baroque
Pierre Vallet, alto baroque
Marjolaine Cambon, viole de gambe et violoncelle baroque<\/p>\n\n\n\n

La premi\u00e8re partie du concert est constitu\u00e9e de menues pi\u00e8ces anglaises du XVIIe si\u00e8cle, dont les c\u00e9l\u00e8bres Fantaisies de Purcell, arrang\u00e9es pour trio \u00e0 cordes. La seconde nous fait rencontrer Haydn et le d\u00e9but du classicisme.<\/p>\n\n\n\n

John BLOW (1649-1708)<\/strong>
Pr\u00e9lude<\/em><\/p>\n\n\n\n

John JENKINS (1592-1678)<\/strong>
2 Ayres <\/em><\/p>\n\n\n\n

Matthew LOCKE (1621-1677)<\/strong>
\u00ab The Flatt Consort \u00bb Fantasia n\u00b01<\/em><\/p>\n\n\n\n

John ECCLES (1668-1735)<\/strong>
Ground<\/em> <\/p>\n\n\n\n

John BULL (1562-1628)<\/strong>
Fantasia<\/em><\/p>\n\n\n\n

William YOUNG (?-1662)<\/strong>
Sonata Prima a 3 <\/em><\/p>\n\n\n\n

Henry PURCELL (1659-1695)<\/strong>
Fantasia n\u00b02<\/em><\/p>\n\n\n\n

Elway BEVIN (ca. 1554-1638)<\/strong>
Browing pour trois violes<\/em><\/p>\n\n\n\n

Henry PURCELL (1659-1695)<\/strong>
Fantasia n\u00b03<\/em><\/p>\n\n\n\n

Anonyme<\/strong>
Woody Cock<\/em><\/p>\n\n\n\n

Joseph HAYDN<\/strong> (1732-1809)
Trios pour baryton, alto et basse
Trio n\u00b077 en Sol Majeur<\/em>
Trio n\u00b082 en Do Majeur<\/em>
Trio n\u00b096 en Si mineur<\/em><\/p>\n<\/div>\n\n\n\n

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\u00a9G.Ferry – \u00a9E.Jacques<\/p>\n\n\n\n

Tarifs<\/span>
Plein tarif : 18 \u20ac
Tarif r\u00e9duit (Etudiants, ch\u00f4meurs, adh\u00e9rents) : 14 \u20ac
Enfant (-12 ans) : gratuit<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mercredi 6 ao\u00fbt 2025 – 17h \u00e0 18h15 – Espace Albaron (Bessans)<\/strong><\/p>\n\n\n\n

Atelier d\u00e9couverte par les musiciens de l’ensemble La Pi\u00e9montoise<\/p>\n\n\n\n

Ouvert aux enfants de 5 \u00e0 10 ans inclus, cet atelier-d\u00e9couverte se propose de leur faire d\u00e9couvrir, en chantant, en utilisant les percussions corporelles et de petites percussions quelques-unes des musiques, quelques-uns des th\u00e8mes du concert du 7 ao\u00fbt. En fin d\u2019atelier, \u00e0 18H15, parents et proches pourront assister \u00e0 une courte restitution, par les enfants et les membres de l\u2019Ensemble La Pi\u00e9montoise, du travail de d\u00e9couverte des th\u00e8mes.<\/p>\n\n\n\n

L\u2019entr\u00e9e au concert \u00e9tant gratuite pour eux, les enfants pourront accompagner leurs parents et assister au concert du lendemain, jeudi 7 ao\u00fbt.<\/p>\n\n\n\n

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Tarifs<\/span>
Gratuit (Inscription obligatoire)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Jeudi 7 ao\u00fbt 2025 – 20h30 – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Concert de cl\u00f4ture des Musicales de l\u2019Ouille All\u00e8gre<\/strong><\/p>\n\n\n\n

Ensemble La Pi\u00e9montoise<\/a><\/p>\n\n\n\n

\u00ab Bach et ses contemporains \u00bb<\/p>\n\n\n\n

Claudine Desjardins-Cloutour, traverso
Anna Cavalli, clavecin
Dominique Desjardins, viole de gambe<\/p>\n\n\n\n

Programme europ\u00e9en pour ce concert de l\u2019Ensemble baroque La Pi\u00e9montoise. De Bach \u00e0 Corelli, en passant par Leclair et Haendel, sans oublier Telemann, Froberger, Buxtehude, un panorama des styles de musique de l\u2019\u00e9poque, si proches et si diff\u00e9rents.<\/p>\n\n\n\n

Georg Friedrich HAENDEL <\/strong>
\u00ab\u00a0Hallenser Sonaten\u00a0\u00bb
Sonate en mi mineur pour fl\u00fbte et basse continue HWV 375<\/em><\/p>\n\n\n\n

Johann Jacob FROBERGER<\/strong>
Plainte pour clavecin seul<\/em><\/p>\n\n\n\n

Dietrich BUXTEHUDE<\/strong>
Aria : Rofilis pour clavecin seul<\/em><\/p>\n\n\n\n

Jean-Marie LECLAIR<\/strong>
Sonate \u00e0 trois pour violon, viole de gambe et basse continue, op. 2, n\u00b0 8<\/em><\/p>\n\n\n\n

Johann S\u00e9bastian BACH<\/strong>
Sonate en trio n\u00b01 d\u2019apr\u00e8s la sonate pour orgue BWV 525<\/em><\/p>\n\n\n\n

Georg Philipp TELEMANN<\/strong>
Sonate en mi mineur pour viole de gambe et continuo, extraite des Essercizi musici<\/em><\/p>\n\n\n\n

Arcangelo CORELLI<\/strong>
Solos for a Flute and a Bass (transcription de l\u2019opus V \u00e9dit\u00e9e par John Walsh en 1711) : Sonata n\u00b02 en sol majeur<\/em><\/p>\n<\/div>\n\n\n\n

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30 juillet 2024 – Ensemble La Pi\u00e9montoise – \u00a9 Thomas Mussard<\/figcaption><\/figure>\n\n\n\n

Tarifs<\/span>
Plein tarif : 18 \u20ac
Tarif r\u00e9duit (Etudiants, ch\u00f4meurs, adh\u00e9rents) : 14 \u20ac
Enfant (-12 ans) : gratuit<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Billetterie<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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