{"id":42,"date":"2024-05-26T18:45:38","date_gmt":"2024-05-26T16:45:38","guid":{"rendered":"https:\/\/ouilleallegre.fr\/?page_id=42"},"modified":"2025-10-29T15:31:32","modified_gmt":"2025-10-29T14:31:32","slug":"programmation-2024","status":"publish","type":"page","link":"https:\/\/ouilleallegre.fr\/index.php\/programmation-2024\/","title":{"rendered":"Programmation 2024"},"content":{"rendered":"\n
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Jeudi 25 juillet 2024 – 18h – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tarifs
Plein tarif : 18 \u20ac, Adh\u00e9rent : 14 \u20ac, Enfant (-16 ans) : 12 \u20ac, Pass 2 concerts : 32\u20ac<\/p>\n<\/div>\n\n\n\n

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Jeudi 25 juillet 2024 – 20h30 – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Ensemble La Pi\u00e9montoise<\/a><\/p>\n\n\n\n

Concert de musique fran\u00e7aise des si\u00e8cles XVIIe<\/sup> et XVIIIe<\/sup><\/p>\n\n\n\n

\u0152uvres de F. Couperin, M. Marais, J-M. Hotteterre, J.Ph. Rameau\u2026<\/p>\n\n\n\n

Le choix de ce programme est n\u00e9 de l\u2019envie de se plonger, le temps d\u2019un concert, dans l\u2019imaginaire qui a caract\u00e9ris\u00e9 toute la tradition musicale fran\u00e7aise de cette \u00e9poque et, par la suite, jusqu\u2019\u00e0 celle de Debussy et au-del\u00e0.
Les titres des pi\u00e8ces sont souvent imag\u00e9s et les sources d\u2019inspiration sont d\u00e9crites par la musique par touches de couleurs : ici, des danses (allemande, sarabande, courante, gigue\u2026) avec leurs rythmes particuliers ; l\u00e0, des \u00e9vocations de lieux (la Pi\u00e9montoise, le Proven\u00e7al\u2026) ou de cloches d\u2019\u00e9glise (La Sonnerie de Sainte Genevi\u00e8ve du Mont de Paris), ou de personnages (la Marais), des \u00e9motions (l\u2019Afflig\u00e9, Air tendre\u2026), des impressions.
Les compositeurs choisis \u00e9taient tr\u00e8s connus \u00e0 leur \u00e9poque et composaient pour la cour du roi : Fran\u00e7ois Couperin dit \u00ab le Grand \u00bb et son oncle Louis, Michel Corrette, Jean Philippe Rameau, Marin Marais et d\u2019autres musiciens moins connus de nos jours, que l\u2019Ensemble La Pi\u00e9montoise vous propose de d\u00e9couvrir \u00e0 cette occasion.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tarifs
Plein tarif : 18 \u20ac, Adh\u00e9rent : 14 \u20ac, Enfant (-16 ans) : 12 \u20ac, Pass 2 concerts : 32\u20ac<\/p>\n<\/div>\n\n\n\n

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Vendredi 26 juillet 2024 – 17h30 – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Consort Hexacorde – Ensemble de violes de gambe<\/a><\/p>\n\n\n\n

\u00ab\u00a0\u00c0 une, deux ou trois violes !\u00a0\u00bb<\/p>\n\n\n\n

\u0152uvres de Sainte-Colombe, M. Marais, Ch. Simpson \u2026<\/p>\n\n\n\n

Les membres du Consort Hexacorde interpr\u00e8tent entre autres \u0153uvres \u00ab La R\u00e9veuse \u00bb et \u00ab L\u2019Arabesque \u00bb de Marin Marais, et \u00ab Le retour \u00bb de M. de Sainte-Colombe.
Pendant une heure, plongez dans l\u2019univers sonore de la viole de gambe, instrument qui avait disparu des sc\u00e8nes musicales pendant tout le XIXe si\u00e8cle et a \u00e9t\u00e9 remis \u00e0 l\u2019honneur dans la deuxi\u00e8me moiti\u00e9 de XXe, en partie gr\u00e2ce au film d\u2019Alain Corneau, \u00ab\u00a0Tous les matins du monde\u00a0\u00bb, dans lequel il met en sc\u00e8ne les inoubliables Jean-Pierre Marielle en M. de Sainte-Colombe et Guillaume Depardieu en jeune Marin Marais.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Lundi 29 juillet 2024 – 18h – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tarifs
Plein tarif : 18 \u20ac, Adh\u00e9rent : 14 \u20ac, Enfant (-16 ans) : 12 \u20ac, Pass 2 concerts : 32\u20ac<\/p>\n<\/div>\n\n\n\n

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Lundi 29 juillet 2024 – 20h30 – Eglise de Bonneval-sur-Arc<\/strong><\/p>\n\n\n\n

Consort Hexacorde – Ensemble de violes de gambe<\/a><\/p>\n\n\n\n

\u00ab De la polyphonie \u00e0 la sonate en Europe \u00bb<\/p>\n\n\n\n

\u0152uvres de O. Gibbons, A. Ferrabosco, H. Purcell, M-A. Charpentier \u2026<\/p>\n\n\n\n

Un consort est un ensemble d\u2019instruments souvent de la m\u00eame famille ayant des tessitures diff\u00e9rentes.
Parfois ce sont des instruments de familles vari\u00e9es, on parle alors de broken consort.
Le \u00ab Consort Hexacorde \u00bb est un ensemble de violes de gambe de tailles diff\u00e9rentes. Ses membres pratiquent ensemble depuis des ann\u00e9es pour le public mais parfois pour leur seul plaisir, comme cela se pratiquait \u00e0 la Cour d\u2019Elisabeth d\u2019Angleterre ou dans les milieux bourgeois de l\u2019\u00e9poque. C\u2019est ce plaisir unique du son d\u2019un consort de violes qu\u2019ils partagent avec vous pour ce concert.
Le Consort Hexacorde tire son nom des Fantasias on the Hexachord de Ferrabosco le jeune (c. 1575 \u2013 1628), terme qui d\u00e9signe la suite de 6 notes : Ut, R\u00e9, Mi, Fa, Sol, La. Le compositeur utilise cette suite comme Cantus Firmus transpos\u00e9 de demi-ton en demi-ton, pour cr\u00e9er une polyphonie qui nous fait voyager dans le cycle des quintes et la musique des sph\u00e8res : une construction polyphonique \u00e0 la fois intellectuelle, savoureuse et facile \u00e0 \u00e9couter.
Autres \u0153uvres au programme, les fameuses Fantaisies d\u2019Henry Purcell et d\u2019Orlando Gibbons, des chorals de Jean-S\u00e9bastien Bach et un Concert de Marc-Antoine Charpentier dont le nom \u00e9voquera \u00e0 certains le c\u00e9l\u00e8bre indicatif de l\u2019Eurovision.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mardi 30 juillet 2024 – 18h – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Cl\u00e9s d’\u00e9coute (Entr\u00e9e libre)<\/p>\n\n\n\n

En avant-concert, les musiciens pr\u00e9sentent eux-m\u00eames le concert de 20h30. En termes simples ils situent les \u0153uvres dans leur contexte historique, jouent des extraits repr\u00e9sentatifs, pr\u00e9sentent leurs instruments, r\u00e9pondent aux questions\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tarifs
Plein tarif : 18 \u20ac, Adh\u00e9rent : 14 \u20ac, Enfant (-16 ans) : 12 \u20ac, Pass 2 concerts : 32\u20ac<\/p>\n<\/div>\n\n\n\n

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Mardi 30 juillet 2024 – 20h30 – Eglise de Bessans<\/strong><\/p>\n\n\n\n

Ensemble La Pi\u00e9montoise<\/a><\/p>\n\n\n\n

\u00ab\u00a0Un Air de Lumi\u00e8res\u00a0\u00bb<\/p>\n\n\n\n

\u0152uvres de G-P. Telemann, J-S. Bach, D. Scarlatti, A. Corelli\u2026<\/p>\n\n\n\n

L\u2019ensemble La Pi\u00e9montoise propose un voyage dans l\u2019Europe du XVIIIe si\u00e8cle, \u00e9poque o\u00f9 les artistes eux-m\u00eames voyageaient beaucoup, se rencontraient, s\u2019influen\u00e7aient mutuellement, allant m\u00eame jusqu\u2019\u00e0 se copier.
Les compositions, transcriptions et copies, circulaient facilement, publi\u00e9es surtout par des \u00e9diteurs hollandais et anglais, l\u00e0 o\u00f9 les droits d\u2019auteur n\u2019\u00e9taient pas aussi aboutis que maintenant.
La brochette de grands musiciens qui ont compos\u00e9 les pi\u00e8ces de ce programme repr\u00e9sente bien ce climat d\u2019effervescence culturelle entre Baroque et Lumi\u00e8res.
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Billetterie<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"yoast_head":"\nProgrammation 2024 - 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